Somebody Up There Likes Me

Need we say more??

Great movie.

A.C.


One Of Newman's Finest Roles!   February 8, 2003
Melvin Hunt (Cleveland,, Texas United States)
In this movie Paul Newman plays the role of Rocky Graziano.The
boxer Graziano was a one time juvenile delinquent who actually
wound up serving time in the penetentiary.This movie vividly portrays the hard knocks that Graziano had to endure during his
life and his boxing career.Through hard work and intense training
Graziano became the middleweight champion of the world.This is a
very touching movie that shows what determination can do. Graziano displayed these traits. This movie was also the debut of Steve McQueen. A very good movie that you must watch.


The Original Rocky: Cliched but Supremely Well Done   November 6, 2002
Martin Asiner (jersey city, nj United States)
The boxing film genre is, by its very nature, always viewed through a prism of cliches. From the very first fight films of the thirties, usually with Cagney as the fighter and Bogie as the crooked fixer, Hollywood has delivered a nonstop series of boxers on film who, for the most part, have resonated with the viewing public. The better ones linger in the memory, and with SOMEBODY UP THERE LIKES ME, director Robert Wise presents the true to life story of middleweight champion Rocky Graziano, played in the performance of a lifetime by Paul Newman. Newman has been so good so often in future films using his face and voice, that it is refreshing to remember that as Rocky Graziano, he could combine that busted face and Brooklyn accent with a physical ferocity in the ring that compares favorably with the best of Stallone's Rocky. Newman plays Graziano as the thug that he surely was. First as a street hood, then later as an army malcontent, Graziano seems on the fast track to prison and an early death. Paradoxically, it is the very bitterness of his soul that convinces his manager Everett Sloane to take a chance on this tough kid as a professional fighter. Along the way, the cliches start to pile up: Sloane's 'Meshuganah' Yiddish accent; the complaints of his future wife (Pier Angeli) that she can't stand the fight business; and the many altercations that Graziano has with the rule-bound boxing commission, which is determined to make Rocky adhere to a set of rules that from the first reel, he would fight with the same ferocity that he would later show in the ring. But by the time these cliches add, the audience no longer cares that they are cliches. Now they care very much about the motivation within Rocky's soul. When Rocky forgets to attend a scheduled fight only because of the trauma of a breakup with Pier Angeli, the audience can feel the pain of his broken heart which does not leave room for such petty details as punching some opponent's lights out. And there are the fight scenes. The climactic battle with champion Tony Zale, the 'Iron Man,' is one of the best choreographed fights ever filmed. Court Shepard, who plays Zale, is an intimidating presence, who says not a word during this long bout, yet his etched in concrete face tells Rocky all he needs to know that Zale is no joke. The blow by blow narration done over the radio by real life announcer Henry Wismer adds a grueling note of authenticity to a fight that leaves the audience gasping at the pounding Graziano and Zale give each other. Throughout the film, Newman gives just the right note of a street born Brooklyn tough guy who slowly comes to realize that the toughest bout of his life need not take place in the ring itself. Connecting to his wife and father gave Rocky more internal bruises than the Iron Man ever could.


A Paul Newman Classic and Fine Motion Picture   August 6, 2002
I thoroughly enjoyed this film--without question, one of Newman's finest roles. This is considered to be his breakout performance, and it is easy to see why studios took notice. A must-see for Newman fans and film buffs alike. Despite being 46 years old, this movie is as good or better than anything I have recently seen at the multiplexes. I give it an A+; all the elements of a fine motion picture can be found in this tale of a boxing star's rise to greatness.


A Paul Newman Classic and Fine Motion Picture   August 6, 2002
I thoroughly enjoyed this film--without question, one of Newman's finest roles. This is considered to be his breakout performance, and it is easy to see why studios took notice. A must-see for Newman fans and film buffs alike. Despite being 46 years old, this movie is as good or better than anything I have recently seen at the multiplexes. I give it an A+; all the elements of a fine motion picture can be found in this tale of a boxing star's rise to greatness.